{"id":3844,"date":"2021-11-04T13:25:41","date_gmt":"2021-11-04T12:25:41","guid":{"rendered":"https:\/\/moment.si\/trigger\/"},"modified":"2022-03-30T18:11:09","modified_gmt":"2022-03-30T16:11:09","slug":"trigger","status":"publish","type":"page","link":"https:\/\/demo.moment.si\/en\/trigger\/","title":{"rendered":"Trigger"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#222222&#8243; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_post_title title=&#8221;off&#8221; meta=&#8221;off&#8221; featured_placement=&#8221;background&#8221; module_id=&#8221;header-predstave&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; position_origin_r=&#8221;top_right&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_post_title][et_pb_post_title meta=&#8221;off&#8221; featured_image=&#8221;off&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; title_font=&#8221;|||on|||||&#8221; title_text_color=&#8221;#ffffff&#8221; title_font_size=&#8221;56px&#8221; title_line_height=&#8221;74px&#8221; custom_css_post_title=&#8221;position: relative;||top: -100px;||background: #383838;||padding: 24px 32px 24px 32px;||display: inline-block&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_post_title][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#222222&#8243; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||100px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||||false|false&#8221; custom_padding=&#8221;0px||||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; header_3_font_size=&#8221;30px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>TRIGGER 2022<\/h4>\n<h3><strong>29. 3. \u2013 1. 4. \/ Maribor, Ljubljana<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p>\u00a0<strong><span>Four days of performances, discussions, artist talks and discovering Slovenian and international trends in performing arts. We are announcing the TRIGGER 2022 application and revealing exciting artists that will open your doors into Slovenian independent performing arts production. <\/span><\/strong><\/p>\n<p><em><span>Discursive programme is in English with an option of Slovenian translation, unless otherwise stated in the programme. Performances are either in English or surtitled in English, unless otherwise stated in the programme (*).<\/span><\/em><strong>\u00a0<\/strong><\/p>\n<p>TRIGGER is a platform for internationalization of contemporary independent performing arts. We are developing TRIGGER in co-production with Centre for Creativity and in partnership with Bunker, Glej Theatre, City of Women, Moment, Pekinpah, Mladinsko Theatre and Maska (Nova po\u0161ta programme). <span>Each year the showcase features productions from several other Slovenian producers. This year we will show works produced by Delak, Emanat and Sploh.<\/span><\/p>\n<p>The fourth edition of TRIGGER platform is opening the question of the future of international collaboration and artistic distribution under new circumstances, brought about by health, ecological and social crises. Besides the showcase we will also offer an extensive discourse programme and a conference, <strong>focusing on decolonization of aesthetics<\/strong>.<\/p>\n<p>TRIGGER your passion for new performative aesthetics, inspiring practices and international allyships. Become part of TRIGGER platform.\u00a0<strong><span><\/span><\/strong><span><\/span><\/p>\n<ul><\/ul>\n<p><em><span><\/span><\/em><\/p>\n<p><em><span><\/span><\/em><\/p>\n<p><em><span><\/span><\/em><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; header_3_font_size=&#8221;30px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><strong>PROGRAMME<\/strong><\/h4>\n<h3><strong>Tuesday, 29 March 2022<\/strong><\/h3>\n<h3><strong>Maribor<\/strong><\/h3>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>TRIGGER Pre-programme: Conference on Decentralisation of Arts. Focus: Audience Building<\/strong><strong><br \/><\/strong><strong>Production: TRIGGER platform; co-production: Centre for Creativity<\/strong><strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span>10:30\u201311:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>)<br \/><\/span><strong><span>Conference Registration <\/span><\/strong><span>\u00a0<\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>11:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>)<br \/><\/span><strong><span>So to Speak: A Cycle of Theatre Essays. Bla\u017e \u0160ef: <\/span><\/strong><span><a href=\"\/en?p=5273\"><strong>Five Plans for <\/strong><\/a><a href=\"\/en?p=5273\"><strong>Microglobalisation<\/strong><\/a> \/\/ theatre essay \/\/ duration: 45 minutes \/\/ co-production: The New Post Office (Mladinsko Theatre and Maska) and Moment <\/span><\/p>\n<p><em><span>History of emergence and decline of The Cultural Centre of European Space Technologies (KSEVT). From nothing to something.<\/span><\/em><\/p>\n<p><span>*in Slovenian without English translation<\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>12:30 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>)<br \/><\/span><strong><span>Decentralising Audience Building: Lessons and Inspirations <\/span><\/strong><span>\/\/ panel discussion \/\/ duration: 120 minutes \/\/ production: TRIGGER platform; co-production: Centre for Creativity <\/span><\/p>\n<p><em><span>How do we approach audience building in environments outside centres of power? What are examples of innovative practices from Slovenia and how do we build long term relations through art in our communities? This program wishes to stimulate discussion between various stakeholders in the Slovenian performing arts landscape.<\/span><\/em><\/p>\n<p><span>Welcoming statement:<strong> Barbara Po\u010dek <\/strong>and <strong>Nika Bezeljak <\/strong>(Ljubljana and Maribor TRIGGER team) and <strong>Marko Podjavor\u0161ek<\/strong> (Centre for Creativity) <\/span><\/p>\n<p><span>Opening note and moderation: <strong>Alma R. Selimovi\u0107<\/strong> (Bunker, Drugajanje, Young Curators Club)<br \/>Co-moderation: <strong>Nika Bezeljak<\/strong> (Moment, Festival Prestopi\/Crossings)<\/span><\/p>\n<p><span>Speakers:<\/span><\/p>\n<ul>\n<li><span> <\/span><strong><span>Tamara Bra\u010di\u010d Vidmar<\/span><\/strong><span> (Bunker, The Audience Council)<\/span><\/li>\n<li><span> <\/span><strong><span>Miha Fir\u0161t<\/span><\/strong><span> (House of Culture Celje, Ambassador of Culture)<\/span><\/li>\n<li><span> <\/span><strong><span>Anja Kole\u0161a<\/span><\/strong><span> (Cultural Centre Kamnik, Creative Quarter Barutana)<\/span><\/li>\n<li><span> <\/span><strong><span>Nina Ukmar<\/span><\/strong><span> (Cultural Centre Kosovelov dom Se\u017eana)<\/span><\/li>\n<\/ul>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>15:30\u201316:45<\/span><\/strong><span> (location: <a href=\"https:\/\/www.google.com\/maps\/place\/Sodni+stolp,+Maribor\/@46.5568188,15.6390857,17z\/data=!3m1!4b1!4m5!3m4!1s0x476f77a99e31b079:0x3986e3264bf401a1!8m2!3d46.556831!4d15.6412766\">Judgement Tower<\/a>) <br \/><\/span><strong>Matej Recer, Gregor Zorc: <\/strong><span><a href=\"https:\/\/moment.si\/en\/performance\/how-did-we-get-here\/\"><strong>How Did We Get Here?<\/strong><\/a> \/\/ devised performance \/\/ duration: 105 minutes \/\/ co-production: Moment and Glej Theatre <\/span><\/p>\n<p><em>How many deaths are needed for us to live?<br \/><\/em><span>*in Slovenian without English translation<\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3><strong>TRIGGER 2022<\/strong><\/h3>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>17:00\u201318:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/dX97C764qSvksdk99\">Fani&amp;Rozi<\/a>)<br \/><\/span><strong><span>TRIGGER Registration, Coffee, Snacks and Networking <\/span><\/strong><span>\/\/ official TRIGGER kick-off<\/span><\/p>\n<p><strong><span>\u00a0<\/span><\/strong><\/p>\n<p><strong><span>18:00\u201319:30 <\/span><\/strong><span>(location: <a href=\"https:\/\/www.google.com\/maps\/place\/Sodni+stolp,+Maribor\/@46.5568188,15.6390857,17z\/data=!3m1!4b1!4m5!3m4!1s0x476f77a99e31b079:0x3986e3264bf401a1!8m2!3d46.556831!4d15.6412766\">Judgement Tower<\/a>) <br \/><\/span><strong><span>TRIGGER partners:<\/span><\/strong><span> <strong>Get to Know Us!<\/strong> \/\/ presentation with Q&amp;A \/\/ duration: 90 minutes \/\/ production: TRIGGER platform; co-production: Centre for Creativity<br \/><em>Get to know the coordinates and context of the Slovenian independent performing art scene through the eyes of TRIGGER producers. Moderated by Tja\u0161a Pureber (Glej Theatre). <\/em><\/span><\/p>\n<p><strong><span>\u00a0<\/span><\/strong><\/p>\n<p><strong><span>20:00\u201320:45 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>) <br \/><\/span><strong>Zala Ana \u0160tiglic, Zoran Petrovi\u010d: <\/strong><span><a href=\"https:\/\/moment.si\/en\/performance\/victoria-2-0\/\"><strong>Victoria 2.0<\/strong><\/a> \/\/ devised performance \/\/ duration: 45 minutes \/\/ production: Moment; co-production: GT22<br \/><em>Winners are confident. Winners are passionate. Winners never quit. Winners have partners. Winners have sex. Winners win. Performance on the boundaries of reality and illusion. <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>21:00\u201323:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">GT22<\/a>) <br \/><\/span><strong>Let\u2019s Talk some More (informally) <\/strong><span>\/\/ official TRIGGER socialising event<\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<h3><strong>Wednesday, 30 March 2022<\/strong><\/h3>\n<h3><strong><\/strong><\/h3>\n<h3><strong>Ljubljana<\/strong><\/h3>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>11:00\u201312:10 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/sFVEtYy37HvnpFfYA\">Ljubljana Puppet Theatre<\/a>) <br \/><\/span><strong><span>Nata\u0161a \u017divkovi\u0107, Sara \u0160abec:<\/span><\/strong><span> <a href=\"https:\/\/2021.cityofwomen.org\/en\/content\/everything-alright-1\"><strong>Everything Is Alright<\/strong><\/a> \/\/ devised performance \/\/ duration: 70 minutes \/\/ production: City of Women, Ljubljana Puppet Theatre<br \/><em>No education without participation! First-hand tales from high school students about the kind of education they want. And deserve. Hey, the kids are alright!<\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>14:00\u201317.00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power Station<\/a>) <br \/><\/span><strong><span>TRIGGER Community Lunch And Networking Event<\/span><\/strong><\/p>\n<p><span>*12 euros per person, cash only (on site) <strong>\u2013<\/strong> food and drinks included<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span>17:00\u201318.00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power <\/a><a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Station<\/a>) <\/span><\/p>\n<p><strong><span>Matija Ferlin:<\/span><\/strong><span> <a href=\"https:\/\/emanat.si\/en\/production\/sad-sam-lucky\/\"><strong>Sad Sam Lucky<\/strong><\/a> \/\/ performance \/\/ duration: 60 minutes \/\/ production: Emanat; co-production: Rencontres chor\u00e9graphiques internationales de Seine-Saint-Denis, Centre national de la danse, Zagreb Dance Center<\/span><\/p>\n<p><em><span>Part of a conceptual series <\/span><\/em><span>Sad Sam<em>. A physical response to the work of the Slovenian avant-garde poet Sre\u010dko Kosovel. A highly physical, turbulent and emotional homage.<\/em><\/span><\/p>\n<p><span>*transfer from Old Power Station to the next performance in Kino \u0160i\u0161ka will be organized <\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>18:30\u201319:40 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/VPPLRUSpk8ba3tww5\">Kino \u0160i\u0161ka<\/a>) <br \/><\/span><strong><span>Irena Toma\u017ein, Jule Flierl: <\/span><\/strong><span><a href=\"https:\/\/www.sploh.si\/en\/performing\/projects\/ufo-flierl-tomazin\"><strong>U.F.O. Hommage to Katalin Ladik<\/strong><\/a> \/\/ devised performance \/\/ duration: 70 minutes \/\/ production: Irena Z. Toma\u017ein + Jule Flierl; co-production: Sploh Institute, SOPHIENS\u00c6LE, Charleroi Danse Centre chor\u00e9graphique de Wallonie-Bruxelles, PACT Zollverein<br \/><em>A homage to Katalin Ladik that blurs the boundaries between poetry, acting and experimental voice work, while continuing the two artists\u2019 own research.<\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>21:00\u201322:54 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power <\/a><a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Station<\/a>) <br \/><\/span><strong><span>Matej Kej\u017ear: <\/span><\/strong><span><a href=\"http:\/\/pekinpah.com\/news\/2021\/21\/9\/movements9\"><strong>Movements 9<\/strong><\/a> \/\/ performance \/\/ duration: 114 minutes \/\/ production: Pekinpah; co-production: Matej Kej\u017ear<br \/><em>9 pieces, 9 movements. A \u201cfavourite album\u201d as a choreographic frame where dance resonates between proto-knowing, rhythm, musical force, listening and hearing, narration and abstraction. <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<h3><strong>Thursday, 31 March 2022<\/strong><br \/><strong><\/strong><\/h3>\n<h3><strong><\/strong><\/h3>\n<h3><strong>Ljubljana<\/strong><\/h3>\n<p><span>\u00a0<\/span><\/p>\n<p><strong>12.00<span>\u201314:00 <\/span><\/strong>(location: <span><a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power <\/a><a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Station<\/a>) <br \/><\/span><strong>Caspar Nieuwenhuis and Barbara Po\u010dek: Let\u2019s Talk About It: Artists and Their Work <\/strong><span>\/\/ moderated discussion with Q&amp;A about performances from 29 and 30 March \/\/ duration: 60 minutes \/\/ production: TRIGGER platform; co-production: Centre for Creativity<\/span><\/p>\n<p><em><span>What is the context of the shows you have seen, who are the artists behind them and all the important questions you can think of to ask. Face to face with TRIGGER artists. <\/span><\/em><span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span>14:00\u201316:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power Station<\/a>) <br \/><\/span><strong><span>Ur\u0161ka Brodar, Grzegorz Reske: Decolonising the Aesthetics <\/span><\/strong><span>\/\/ panel discussion \/\/ duration: 120 minutes \/\/ production: TRIGGER platform, co-production: Centre for Creativity<\/span><\/p>\n<p><em>In the past years we are witnessing an increasing importance to speak about our pasts and uncover the effects and biases colonial history has had on our current positions. In this discussion we will try to approach this topic from the point of view of the Eastern vs. Western Europe and the concept of the aesthetic bias and the impact it has on the career of the artists.<br \/><\/em><em>At the time when the European Union is offering enormous amounts of space and funding for international collaborations Eastern and Western artists are stepping onto the same terrain, seemingly equal. The context from which Eastern artists are stepping onto that terrain, however, is at best recognised with a sort of patronising orientalism or complete ignorance of the structural conditions in which their art is being created. Those conditions are influencing the produced aesthetics. How do we challenge these processes, positions of privilege, and start decolonising the Arts in this context as well?<\/em><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>16:00\u201316:45 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power <\/a><a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Station<\/a>) <br \/><\/span><strong>Lea Kukovi\u010di\u010d: <\/strong><span><a href=\"https:\/\/www.bunker.si\/en\/performance-auction-house-forsale\/\"><strong>FORSALE<\/strong><\/a> \/\/ artist talk \/\/ duration: 45 minutes \/\/ production: Bunker<br \/>An <em>auction house for theatre performances. The next step in the history of ownership and the future of the ephemeral economy.<\/em><\/span><\/p>\n<p><strong><em><span>\u00a0<\/span><\/em><\/strong><\/p>\n<p><strong><span>18:00\u201320:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/BNPN4b8LHpevR72XA\">Glej Theatre<\/a>) <br \/><\/span><strong><span>Mark Po\u017elep, Maxime Berthou: <\/span><\/strong><span><a href=\"https:\/\/www.southwind-project.com\/\"><strong>SOUTHWIND<\/strong><\/a> \/\/ cinematographic essay and artist talk \/\/ duration: 120 minutes \/\/ production of the essay: Forceps media; production of the upcoming documentary performance: Glej Theatre and SPRING Festival<br \/><em>Paddle steamer, 1712 miles of the Mississippi River and two artists in the heart of colonial land.<\/em><\/span><em> <span>Practice-based research and performance in the making in co-production with SPRING Festival. <\/span><\/em><span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span>21:00\u201322:45 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/kUUPvvasCTECVDdK8\">Mladinsko Theatre<\/a>) <br \/><\/span><strong>\u017diga Divjak: <\/strong><span><a href=\"https:\/\/mladinsko.com\/en\/program\/133\/fever\/\"><strong>Fever<\/strong><\/a> \/\/ devised performance \/\/ duration: 105 minutes \/\/ production: Mladinsko Theatre, steirischer herbst \u201921 and Maska<br \/><em>Climate crisis, class society and neoliberal capitalism. Is violence the answer? A performance about the limits of one\u2019s own consciousness and historical responsibility to change the world.<\/em><\/span><\/p>\n<p><em>\u00a0<\/em><\/p>\n<h3><strong>Friday, 1 April 2022<\/strong><br \/><strong><\/strong><\/h3>\n<h3><strong><\/strong><\/h3>\n<h3><strong>Ljubljana<\/strong><span><\/span><\/h3>\n<p>&nbsp;<\/p>\n<p><strong><span>10:00\u201313:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/ykvy8FEjKyovvcEU7\">Art Hotel<\/a>) <br \/><\/span><strong><span>Meet the Artists and Producers <\/span><\/strong><span>\/\/ scheduled meetings \/\/ production: TRIGGER platform; co-production: Centre for Creativity<br \/><em>Meet, talk and plot with your favorite artists and their producers and plan to conquer the world together! You can schedule individual meetings or ask us to introduce you to someone who sparked your curiosity or have us curate the meeting for you. Let\u2019s find each other. <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>16:00\u201316:45 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/BNPN4b8LHpevR72XA\">Glej Theatre<\/a>) <br \/><strong>Z<\/strong><\/span><strong>ala Ana \u0160tiglic, Zoran Petrovi\u010d: <\/strong><span><a href=\"https:\/\/moment.si\/en\/performance\/victoria-2-0\/\"><strong>Victoria 2.0<\/strong><\/a> \/\/ devised performance \/\/ duration: 45 minutes \/\/ production: Moment; co-production: GT22<br \/><em>Winners are confident. Winners are passionate. Winners never quit. Winners have partners. Winners have sex. Winners win. Performance on the boundaries of reality and illusion.<\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>20:00\u201321:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power <\/a><a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Station<\/a>)<br \/><\/span><strong><span>Beton Ltd.:<\/span><\/strong><span> <a href=\"https:\/\/www.bunker.si\/en\/beton-ltd-grosse-erwartungengreat-expectations\/\"><strong>Gro\u00dfe Erwartungen | Great Expectations<\/strong><\/a> \/\/ devised performance \/\/ duration: 60 minutes \/\/ production: Bunker <\/span><\/p>\n<p><em><span>After ecology, transitional\/growing\u2011up loss of illusions, the impotency of resistance, generational angst, time has come for great expectations and the future of those who have everything. To lose.<\/span><\/em><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>21:00\u201322:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/xPX5b28UyxHypKxS6\">Osmo\/za<\/a>) <br \/><\/span><strong><span>Based on the motifs of the play <em>Life Is a Dream <\/em>by Calder\u00f3n de la Barca: <\/span><\/strong><span><a href=\"https:\/\/www.postgravityart.eu\/dogodki\/2021\/7\/5\/finalizemfonemi-hns46-g699j-d339l-3hejy\"><strong>Finalizem::Fonemi<\/strong><\/a><strong>.<\/strong> <strong>Directed by Dragan \u017divadinov<\/strong> \/\/ theatre production form \/\/ duration: 60 minutes \/\/ production: Delak <br \/><em>Life is a dream. Theatre is a medium of baroque illusion. Hail to the theatre spotlight! <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong>22:00<span>\u201323:00<\/span><\/strong> (location: <span><a href=\"https:\/\/goo.gl\/maps\/xPX5b28UyxHypKxS6\">Osmo\/za<\/a>) <br \/><\/span><strong>Caspar Nieuwenhuis and Barbara Po\u010dek: Let\u2019s Talk About It: Artists and Their Work <\/strong><span>\/\/ moderated discussion with Q&amp;A about performances from 31 March and 1 April \/\/ duration: 60 minutes \/\/ production: TRIGGER platform; co-production: Centre for Creativity<br \/><em><\/em><\/span><\/p>\n<p><span><em>What is the context of the shows you have seen, who are the artists behind them and all the important questions you can think of to ask. Face to face with TRIGGER artists. <\/em><\/span><\/p>\n<p><em><span><\/span><\/em><\/p>\n<h3><em><span><\/span><\/em><strong>Saturday, 2 April 2022<\/strong><br \/><strong><\/strong><\/h3>\n<h3><strong><\/strong><\/h3>\n<h3><strong>Ljubljana<\/strong><\/h3>\n<p><strong><span>\u00a0<\/span><\/strong><\/p>\n<p><strong><span>10:00\u201314:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/BNPN4b8LHpevR72XA\">Glej Theatre<\/a>) <br \/><\/span><strong>Pippa Bailey: Power and Change<\/strong> <span>\/\/ workshop \/\/ duration: 240 minutes \/\/ production: TRIGGER platform; co-production: Centre for Creativity<br \/><em>Power dynamics in the performing arts are real. And they create hierarchies. What can we do to address them and change the power dynamic towards a more inclusive working environment?<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><em><span><\/span><\/em><\/p>\n<p><em><span><\/span><\/em><\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; header_3_font_size=&#8221;30px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><strong>ABOUT THE TRIGGER PLATFORM<\/strong><\/h4>\n<p><span>TRIGGER is a platform for contemporary performing arts. Glej Theatre is developing it with Centre for Creativity, Bunker, City of Women, Moment, Pekinpah, Mladinsko Theatre and Maska (The New Post Office programme). The main purpose of the platform is to strengthen competences of independent producers and artists, especially in the field of internationalisation and international connections. <\/span><\/p>\n<p><span>The platform combines a showcase of performances with potential for the international market, series of discussions, lectures and workshops with curators from international festivals, agents, and specialists for distribution and international cooperation. <\/span><\/p>\n<p><span>The purpose of the platform is therefore to gain specialised knowledge of developing strategies and methodology to distribute, network and internationalise contemporary performing arts.<\/span><\/p>\n<p><strong><span>\u00a0<\/span><\/strong><\/p>\n<h3><strong><span>The platform\u2019s objectives:<\/span><\/strong><\/h3>\n<ul>\n<li><span> Improving competitive options for Slovenian artists in the international market.<\/span><\/li>\n<li><span> Improving the situation for Slovenian producers of independent performing arts.<\/span><\/li>\n<li><span> Improving opportunities for distribution of independent performances on national and international level.<\/span><\/li>\n<li><span> Creating a space for skill exchange in fields without formal or informal opportunities for education and development (professions in production, management and technical support).<\/span><\/li>\n<li><span> Creating and maintaining connections with important European festivals and producers.<\/span><\/li>\n<li><span> Promoting Slovenian performers and performances.<\/span><\/li>\n<li><span> Long-term influence on diversity of domestic production in relation to exchange of good practice examples and experiences from abroad.<\/span><\/li>\n<li><span> Greater stability of Slovenian producers.<\/span><\/li>\n<\/ul>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>Participating producers: <\/span><\/strong><\/p>\n<p><strong><span>Co-producer:<br \/><\/span><\/strong><span><strong><\/strong><a href=\"https:\/\/czk.si\/en\/\">Centre for Creativity<\/a><\/span><\/p>\n<p><span><strong>Strategic development:<br \/><\/strong><a href=\"https:\/\/www.glej.si\/en\">Glej Theatre<\/a>, <a href=\"https:\/\/www.bunker.si\/en\/home-page-bunker-old-power-station\/\">Bunker Ljubljana<\/a>,<a href=\"http:\/\/www.cityofwomen.org\/en\"> City of Women<\/a>,<a href=\"https:\/\/moment.si\/en\/\"> Moment Maribor<\/a>,\u00a0 <a href=\"http:\/\/pekinpah.com\/\">Pekinpah<\/a>,\u00a0 <a href=\"https:\/\/mladinsko.com\/en\/\">Mladinsko Theatre<\/a> and <a href=\"http:\/\/maska.si\/\">Maska Ljubljana<\/a> (<a href=\"https:\/\/mladinsko.com\/en\/new-post-office\/\">The New Post Office<\/a> programme)<\/span><\/p>\n<p><strong><span>TRIGGER 2022 project partners:<\/span><\/strong><span><br \/>Delak, Emanat, Sploh<\/span><em><span><\/span><\/em><\/p>\n<p><em><span><\/span><\/em><\/p>\n<p><em><span><\/span><\/em><\/p>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; header_3_font_size=&#8221;30px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>TRIGGER delavnica:<br \/>Kariera umetnika &#8211; doma in na tujem<\/h4>\n<p><strong>Od 15. do 17. novembra v Ljubljani<\/strong><\/p>\n<p><span>Skupaj z Gledali\u0161\u010dem Glej v sodelovanju s Centrom za kreativnost, pri Muzeju za arhitekturo in oblikovanje, v okviru platforme TRIGGER vabimo na brezpla\u010dno prakti\u010dno delavnico <strong>Kariera umetnika &#8211; doma in na tujem<\/strong>. Mentorira jo priznana mened\u017eerka v kulturi <strong>Anik\u00f3 R\u00e1cz<\/strong> iz Budimpe\u0161te. <\/span><\/p>\n<h3><strong><span>O delavnici:<\/span><\/strong><\/h3>\n<p><span>Delavnica je sestavljena iz treh modulov. Ustvarjalkam in ustvarjalcem na podro\u010dju neodvisnih uprizoritvenih umetnosti bo ponudila prilo\u017enost, da o svojih karierah razmi\u0161ljajo dolgoro\u010dno in onkraj posameznih projektov. \u010ce nam je to v\u0161e\u010d ali ne, dandanes delati \u201czgolj\u201d odli\u010dno umetnost pogosto ni ve\u010d dovolj &#8211; da uspe\u0161no deluje\u0161 kot umetnica ali umetnik ter razvija\u0161 projekte, od tebe zahteva, da razvije\u0161 \u0161tevilne ve\u0161\u010dine in vloge izven vadbenih prostorov. <\/span><\/p>\n<p><span>Na delavnici boste najprej dobili prilo\u017enost, da reflektirate, kje ste trenutno, in kaj bi lahko bila naslednja razvojna to\u010dka va\u0161ega umetni\u0161kega razvoja. <\/span><\/p>\n<p><span>Drugi modul se bo vrtel okoli vpra\u0161anja partnerstev in sodelovanj. Kako delamo skupaj? Kaj so lepote in te\u017eave vseh teh partnerstev? Glede \u010desa moramo biti previdni in kako lahko na\u0161a sodelovanja oja\u010dajo na\u0161e razvojne perspektive?<\/span><\/p>\n<p><span>Tretji dan bo posve\u010den demistifikaciji mednarodnih procesov in mre\u017eenja. Pregledali bomo obstoje\u010da sodelovanja in razmi\u0161ljali, kateri so lahko na\u0161i naslednji koraki. Razmi\u0161ljali bomo tudi o okolju in smernicah na mednarodnem uprizoritvenem polju, da lahko bolje razumemo na\u0161e potencialne vstopne to\u010dke v internacionalizacijo. <\/span><\/p>\n<p><span>Sre\u010danje bo potekalo v obliki skupinske delavnice, pri \u010demer bomo va\u0161e izku\u0161nje uporabili kot \u0161tudijske primere. \u010ceprav bo \u0161lo za kolektivno delo, je cilj delavnice, da vsak izmed sodelujo\u010dih pridobi prakti\u010dna orodja, trike in seznam naslednjih korakov v kariernem razvoju.<\/span><\/p>\n<h3><strong><span>O mentorici:<\/span><\/strong><\/h3>\n<p><strong>Anik\u00f3 R\u00e1cz<\/strong> je mened\u017eerka v kulturi, coach in poslovna trenerka, ki \u017eivi in dela v Budimpe\u0161ti na Mad\u017earskem. Trenutno je vodja mednarodnih odnosov in strate\u0161kega razvoja v <a href=\"http:\/\/www.sinarts.org\">S\u00cdN Arts Centre<\/a>, produkcijski hi\u0161i za podporo in razvoj neodvisnih sodobnih plesalk in plesalcev. Anik\u00f3 je tudi programerka in producentka prizori\u0161\u010da za gledali\u0161\u010de in ples na <a href=\"http:\/\/www.sziget.hu\">Festivalu Sziget<\/a>, drugem najve\u010djem kulturnem festivalu v Evropi.<\/p>\n<p>Med leti 2014 in 2020 je vodila tri edicije bienalne mad\u017earske platforme za uprizoritveno umetnost dunaPart (www.dunapart.net). Med letoma 2019 in 2021 je kot Reshaper sodelovala v mednarodnem raziskovalnem projektu <a href=\"http:\/\/www.reshape.network\">Reshape<\/a>. Od leta 2017 je \u010dlanica svetovalnega odbora mre\u017ee <a href=\"http:\/\/www.ietm.org\">IETM<\/a>.<\/p>\n<p>Znana je po svoji aktivni vlogi v strate\u0161kem premi\u0161ljevanju dinamik in tranzicij uprizoritvenega polja tako na Mad\u017earskem, kot v tujini. Njene mened\u017eerske aktivnosti so podprte z njeno prakso priznanega coacha, poslovne trenerke in ekipne facilitatorke. Usposablja razli\u010dne umetnike pri razvoju njihove karierne dinamike, svetuje pa tudi umetni\u0161kim kolektivom pri organizacijskem razvoju, facilitaciji bolj\u0161ih sodelovanj in produkcijskem mened\u017ementu. Redno vodi delavnice produkcijskega vodenja, sodelovanja in mednarodnih odnosov na Mad\u017earskem in drugod.<\/p>\n<p>Njen osrednji fokus so delikatni in nenehno spreminjajo\u010di se odnosi med umetnikom in producentom\/mened\u017eerjem ter podpora kolektivom pri skupnostnem delu in razvoju trajnostnih projektov in partnerstev.<\/p>\n<h3><strong><span>Termin in prijava:<\/span><\/strong><\/h3>\n<p><strong>Delavnica poteka od 15. do 17. novembra, vsak dan med 13. in 17. uro v prostorih Slovenskega gledali\u0161kega in\u0161tituta (Mestni trg 17) Ljubljani.<\/strong><\/p>\n<p>Prijavite se lahko na <a href=\"https:\/\/docs.google.com\/forms\/d\/e\/1FAIpQLSe36xMxh5BtrBNsf7a0r8SOoPKIhLMb7F4cwd8N_BL-Of4FSQ\/viewform?usp=sf_link\"><strong>tej povezavi<\/strong><\/a>. Delavnica je brezpla\u010dna. Po prijavi vam bo mentorica poslala \u0161e kraj\u0161i vsebinski vpra\u0161alnik, ki ji bo pomagal, da delavnico karseda prilagodi va\u0161im potrebam. Delavnica poteka v sodelovanju s Slovenskim gledali\u0161kim in\u0161titutom.<br \/>Ve\u010d informacij: <a href=\"mailto:info@glej.si\">info@glej.si<\/a><\/p>\n<p>Platforma TRIGGER je del partnerske mre\u017ee Platforme Center za kreativnost. Projekt sofinancirata Evropska unija iz Evropskega sklada za regionalni razvoj in Republika Slovenija.<\/p>\n<p><em>Za udele\u017ebo na delavnici velja pogoj PCT<\/em>.<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221; disabled_on=&#8221;on|on|on&#8221; disabled=&#8221;on&#8221;]<\/p>\n<h4>TRIGGER 2022: Announcing the artists and opening applications<\/h4>\n<h4>30. 3. &#8211; 1. 4. \/ Maribor, Ljubljana<\/h4>\n<p><strong>Three days of performances, discussions, artist talks and discovering Slovenian and international trends in performing arts. We are announcing the TRIGGER 2022 application and revealing exciting artists that will open your doors into Slovenian independent performing arts production. <\/strong><\/p>\n<p>The fourth edition of TRIGGER platform is opening the question of the future of international collaboration and artistic distribution under new circumstances, brought about by health, ecological and social crises. Besides the showcase we will also offer an extensive discourse programme and a conference, <strong>focusing on decolonization of aesthetics<\/strong>.<\/p>\n<p>TRIGGER your passion for new performative aesthetics, inspiring practices and international allyships. Become part of TRIGGER platform. <\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221; disabled_on=&#8221;on|on|on&#8221; disabled=&#8221;on&#8221;]<\/p>\n<h4>ANNOUNCING THE ARTISTS<\/h4>\n<p>This year, TRIGGER is bringing you some of the most exciting names in the Slovenian independent performing arts scene. Here is the first glance at our pick.<\/p>\n<p><strong>Beton Ltd.<\/strong>: <strong><a href=\"https:\/\/www.bunker.si\/en\/beton-ltd-grosse-erwartungengreat-expectations\/\">Grosse Erwartungen<\/a> \/Great expectations<\/strong> I performance (Bunker) <br \/><em>After ecology, transitional\/growing\u2011up loss of illusions, the impotency of resistance, generational angst, time has come for great expectations and the future of those, who have everything. To lose.<\/em> <strong><br \/><\/strong><\/p>\n<p><strong>\u017diga Divjak<\/strong>: <strong><a href=\"https:\/\/mladinsko.com\/en\/program\/133\/fever\/\">Fever<\/a><\/strong> I performance (Mladinsko Theatre, steirischer herbst 21&#8242; and Maska)<br \/><em>Climate crisis, class society and neoliberal capitalism. Is violence the answer? Performance about the limits of one\u2019s own consciousness and historical responsibility to change the world.<\/em><\/p>\n<p><strong>Matija Ferlin<\/strong>: <a href=\"https:\/\/emanat.si\/en\/production\/matija-ferlin--sad-sam-matthaus\/\"><strong>Sad Sam Matth\u00e4us<\/strong><\/a> I performance (Emanat, Matija Ferlin, Wiener Festwochen, CND Centre national de la danse, Istarsko narodno kazali\u0161te \u2013 Gradsko kazali\u0161te Pula)<br \/><em>Pain. Death. Passion. What happens if the idea of performance outdoes the possibilities of bodily action? Bach\u2019s St. Matthew Passion as a performance for a single performer.<\/em> <\/p>\n<p><strong>Matej Kej\u017ear<\/strong>: <strong><a href=\"http:\/\/pekinpah.com\/news\/2021\/21\/9\/movements9\">Movements 9<\/a><\/strong> I performance (Pekinpah, Matej Kej\u017ear)<br \/><em>9 pieces, 9 movements. A \u2018favourite album\u2019 as a choreographic frame where dance resonates between proto-knowing, rhythm, musical force, listening and hearing, narration and abstraction.<\/em><\/p>\n<p><strong>Lea Kukovi\u010di\u010d<\/strong>: <a href=\"https:\/\/www.bunker.si\/en\/performance-auction-house-forsale\/\"><strong>FORSALE<\/strong><\/a> I artist talk (Bunker)<br \/><em>Auction house for theatre performances. Next step in the history of ownership and the future of the ephemeral economy.<\/em><\/p>\n<p><strong>Zoran Petrovi\u010d<\/strong>: <a href=\"https:\/\/moment.si\/en\/performance\/victoria-2-0\/\"><strong>Victoria 2.0<\/strong><\/a> I performance (Moment, GT22)<br \/><em>Winners are confident. Winners are passionate. Winners never quit. Winners have partners. Winners have sex. Winners win. Performance on the boundaries of reality and illusion.<\/em> <\/p>\n<p><strong>Mark Po\u017elep, Maxime Berthou<\/strong>: <a href=\"https:\/\/www.southwind-project.com\/\"><strong>SOUTHWIND<\/strong><\/a> I cinematographic essay and artist talk (Glej Theatre)<br \/><em>Paddle steamer, 1712 miles of the Mississippi River and two artists in the heart of colonial land. Practice-based research and performance in the making in co-production with SPRING Festival.<\/em><\/p>\n<p><strong>Irena Toma\u017ein, Jule Flierl<\/strong>: <a href=\"https:\/\/www.sploh.si\/en\/performing\/projects\/ufo-flierl-tomazin\"><strong>U.F.O.<\/strong><\/a> I performance (Irena Z. Toma\u017ein + Jule Flierl, SOPHIENS\u00c6LE, Zavod Sploh, Charleroi Danse Centre chor\u00e9graphique de Wallonie-Bruxelles, PACT Zollverein) <br \/><em>A homage to Katalin Ladik that blurs the boundaries between poetry, acting and experimental voice work, while continuing the two artists&#8217; own research.<\/em><\/p>\n<p><strong>Dragan \u017divadinov<\/strong>: <a href=\"https:\/\/www.postgravityart.eu\/dogodki\/2021\/7\/5\/finalizemfonemi-hns46-g699j-d339l-3hejy\"><strong>Finalizem::Fonemi<\/strong><\/a> I theatre production form (Delak)<br \/><em>Life is a dream. Theatre is a medium of baroque illusion. Hail to the theatre spotlight!<\/em> <\/p>\n<p><strong>Nata\u0161a \u017divkovi\u0107, Sara \u0160abec<\/strong>: <a href=\"https:\/\/2021.cityofwomen.org\/en\/content\/everything-alright-1\"><strong>Everything is Alright<\/strong><\/a>\u00a0I performance (City of Women, Ljubljana Puppet Theatre)<br \/><em>No education without participation! First hand tales from high school students about the kind of education they want. And deserve. Hey, the kids are alright!<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221; disabled_on=&#8221;on|on|on&#8221; disabled=&#8221;on&#8221;]<\/p>\n<h4>ANNOUNCING THE PROGRAMME<\/h4>\n<p><strong>Maribor and Ljubljana: March 30 &#8211; April 1, 2022<\/strong><\/p>\n<p><strong><span>We are happy to announce the full programme for this year\u2019s TRIGGER showcase platform of Slovenian independent performing arts. We can\u2019t wait to see you, so take the last chance to apply no later than March 6, 2022! <\/span><\/strong><\/p>\n<p>TRIGGER is a platform for internationalization of contemporary independent performing arts. We are developing TRIGGER in co-production with Centre for Creativity and in partnership with Bunker, Glej Theatre, City of Women, Moment, Pekinpah, Mladinsko Theatre and Maska (Nova po\u0161ta programme). <span>Each year the showcase features productions from several other Slovenian producers. This year we will show works produced by Delak, Emanat and Sploh.<\/span><\/p>\n<p>The fourth edition of TRIGGER platform is opening the question of the future of international collaboration and artistic distribution under new circumstances, brought about by health, ecological and social crises. Besides the showcase we will also offer an extensive discourse programme, focusing on decolonization of aesthetics.<\/p>\n<p><strong><span>LAST CHANCE: APPLY NOW!<\/span><\/strong><\/p>\n<p><span>We are closing <a href=\"https:\/\/forms.gle\/pGwkkgTgLvQfynAK6\">applications for TRIGGER 2022<\/a> on March 6. We are offering free admission to all events. And tones of art that will TRIGGER your mind. <\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>BASIC TRAVEL INFORMATION<\/span><\/strong><\/p>\n<p><strong>ARRIVING BY AIR:<\/strong><\/p>\n<p><strong>Ljubljana Airport <br \/><\/strong>Slovenia has one international airport which is situated near Ljubljana. There are several shuttle services operating between Ljubljana and the airport. You can book your transfer <span><a href=\"https:\/\/www.lju-airport.si\/en\/transport\/\">online<\/a> with the selected company. <\/span><\/p>\n<p><strong>Nearby airports<\/strong><\/p>\n<p>Zagreb, Trieste, Venice, Klagenfurt, Graz. Transfers from all the mentioned airports to both cities are available on a regular basis and can be pre-booked through <span><a href=\"https:\/\/www.goopti.com\/en\/\">GoOpti<\/a>.<\/span><\/p>\n<p><strong><span>ARRIVING BY CAR:<\/span><\/strong><\/p>\n<p>At Ljubljana&#8217;s P+R (park-and-ride) facilities, you can leave your vehicle and transfer to a city bus for a journey to the city center. There are several parkings available close to the city center, you can check their prices and availability <span><a href=\"https:\/\/si.parkopedia.com\/parking\/locations\/Emonska%20cesta%204_u24mfn86k9\/?arriving=202008251530&amp;leaving=202008251730\">here<\/a>. <\/span><\/p>\n<p><strong>ARRIVING BY TRAIN:<br \/><\/strong>Train and bus stations in both Ljubljana and Maribor are located in the city center. For domestic travel, see this <span><a href=\"https:\/\/www.ap-ljubljana.si\/en\/\">page<\/a>.<\/span><\/p>\n<p><strong>ACCOMODATION:<br \/>Ljubljana: <\/strong>Our partner hotel is <a href=\"https:\/\/www.hotel-bb.com\/en\/hotel\/ljubljana-park?gclid=Cj0KCQiA09eQBhCxARIsAAYRiynjSshcdGGZ-U-u0r75kijhEjXnxW3vrUXJeUZtz0q7XW8vUSBoXQMaAp0rEALw_wcB\">B&amp;B hotel<\/a>. Please note that they do not provide parking. If you need to book a hotel with parking, please check: <a href=\"https:\/\/hotelmrak.si\/en\/\">Hotel Mrak<\/a>, <a href=\"https:\/\/www.cityhotel.si\/\">City Hotel<\/a>, <a href=\"https:\/\/www.uhcollection.si\/sl\/hotel-lev?gclid=CjwKCAiA9tyQBhAIEiwA6tdCrBnKzrNGTXm8dFgBWDEOGNLQkdr1sGqAEAwQF-KfLknxEMMNtIP64hoC-OwQAvD_BwE&amp;gclsrc=aw.ds\">Hotel Lev<\/a>, <a href=\"https:\/\/www.atelierhotel.si\/?page_id=229\">Atelier hotel<\/a>).<\/p>\n<p><strong>Maribor<\/strong>: Our partner hotel in Maribor is <a href=\"https:\/\/www.terme-maribor.si\/en\/hotels\/hotel-orel\">hotel Orel<\/a>. <a href=\"https:\/\/www.terme-maribor.si\/en\/hotels\/youth-hostel-uni\">Hostel Uni<\/a> is located in the same building too.<\/p>\n<p><strong>ACCESS<\/strong><\/p>\n<p>Most venues are wheelchair accessible, but do not have accessible toilets. If you have special mobility or access requirements please let us know. <strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n<p><strong>BORDER CROSSING REGULATIONS<u><br \/><\/u><\/strong>As of February 19, 2022, restrictions due to Covid-19 pandemic no longer apply when entering Slovenia. This means that the RVT (recovered\/vaccinated\/tested) condition no longer has to be met at the border and travelers will no longer be ordered to quarantine at home.<\/p>\n<p>&nbsp;<\/p>\n<p><span>If you have any additional questions, please do not hesitate to reach us on info@glej.si. <\/span><\/p>\n<p>TRIGGER your passion for new performative aesthetics, inspiring practices and international allyships. Become part of TRIGGER platform. <span>See you in Ljubljana and Maribor soon. <\/span><\/p>\n<p>Your TRIGGER team<\/p>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; global_colors_info=&#8221;{}&#8221; disabled_on=&#8221;on|on|on&#8221; disabled=&#8221;on&#8221;]<\/p>\n<h4><strong><span>PROGRAMME<\/span><\/strong><\/h4>\n<p><em><span>Discursive programme is in English with an option of Slovenian translation. Performances are either in English or surtitled in English, unless otherwise stated in the program.<\/span><\/em><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Tuesday, March 29, 2022<\/strong><\/p>\n<p><strong>Maribor<\/strong><\/p>\n<p><strong>TRIGGER Pre-programme: Conference on decentralization of arts. Focus: audience building<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong><span>10:30-11:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>)<\/span><\/p>\n<p><strong><span>Conference registration <\/span><\/strong><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>11:00-12:15 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>)<\/span><\/p>\n<p><strong><span>So To Speak: A Cycle of Theatre Essays. Bla\u017e \u0160ef: <\/span><\/strong><span><a href=\"\/en?p=5273\"><strong>Five Plans for Microglobalisation<\/strong><\/a> \/\/ theatre essay \/\/ duration: 75 minutes \/\/ co-production: New Post Office (Mladinsko Theatre and Maska Ljubljana) and Moment Maribor<\/span><\/p>\n<p><em><span>History of emergence and decline of The Cultural Centre of European Space Technologies (KSEVT). From nothing to something.<\/span><\/em><\/p>\n<p><span>*performance is in Slovenian without English translation<\/span><\/p>\n<p><span><br \/><strong>12:15-12:30 <\/strong>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>)<\/span><\/p>\n<p><strong><span>Coffee Break<\/span><\/strong><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>12:30-14:30 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>)<\/span><\/p>\n<p><strong><span>Decentralizing audience building: lessons and inspirations <\/span><\/strong><span>\/\/ panel discussion \/\/ duration: 120 minutes \/\/ production: TRIGGER platform, co-production: Centre for Creativity) <\/span><\/p>\n<p><em><span>How do we approach audience building in environments outside centres of power? What are examples of innovative practices from Slovenia and how do we build long term relations through art in our communities? T<\/span><\/em><em>his program wishes to stimulate discussion between various stakeholders in the Slovenian performing arts landscape.<\/em><\/p>\n<p><span>Opening note and moderation: <strong>Alma R. Selimovi\u0107<\/strong> (Bunker)<\/span><\/p>\n<p><span>Speakers:<\/span><\/p>\n<ul>\n<li><span> <\/span><strong><span>Tamara Bra\u010di\u010d Vidmar<\/span><\/strong><span> (The Audience Council)<\/span><\/li>\n<li><span> <\/span><span>Other guests TBC<\/span><\/li>\n<\/ul>\n<p><span>\u00a0<\/span><\/p>\n<p><strong><span>14:30-15:30 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/dX97C764qSvksdk99\">Fani&amp;Rozi<\/a>)<\/span><\/p>\n<p><strong><span>Lunch<\/span><\/strong><\/p>\n<p><strong><span>\u00a0<\/span><\/strong><\/p>\n<p><strong><span>15:30-16:45<\/span><\/strong><span> (location: <a href=\"https:\/\/www.google.com\/maps\/place\/Sodni+stolp,+Maribor\/@46.5568188,15.6390857,17z\/data=!3m1!4b1!4m5!3m4!1s0x476f77a99e31b079:0x3986e3264bf401a1!8m2!3d46.556831!4d15.6412766\">Judgment Tower<\/a>) <\/span><\/p>\n<p><strong>Matej Recer, Gregor Zorc: <\/strong><span><a href=\"https:\/\/moment.si\/en\/performance\/how-did-we-get-here\/\"><strong>How did we get here?<\/strong><\/a> \/\/ devised performance \/\/ duration: 105 minutes \/\/ co-production: Moment and Glej Theatre) <\/span><\/p>\n<p><em>How many deaths are needed for us to live?<\/em><\/p>\n<p><span>*performance is in Slovenian without English translation<\/span><\/p>\n<h4><strong><\/strong><\/h4>\n<h4><strong>TRIGGER 2022<\/strong><\/h4>\n<p><strong><span>17:00-18:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/dX97C764qSvksdk99\">Fani&amp;Rozi<\/a>)<\/span><\/p>\n<p><strong><span>TRIGGER registration, coffee, snacks and networking <\/span><\/strong><span>\/\/ official TRIGGER kick-off<\/span><\/p>\n<p><strong><span>\u00a0<\/span><\/strong><\/p>\n<p><strong><span>18:00-19:30 <\/span><\/strong><span>(location: <a href=\"https:\/\/www.google.com\/maps\/place\/Sodni+stolp,+Maribor\/@46.5568188,15.6390857,17z\/data=!3m1!4b1!4m5!3m4!1s0x476f77a99e31b079:0x3986e3264bf401a1!8m2!3d46.556831!4d15.6412766\">Judgment Tower<\/a>) <\/span><\/p>\n<p><strong><span>TRIGGER partners:<\/span><\/strong><span> <strong>Get to know us!<\/strong> \/\/ presentation with Q&amp;A \/\/ duration: 90 minutes \/\/ production: TRIGGER platform, co-production: Centre for Creativity<br \/><em>Get to know the coordinates and context of the Slovenian independent performance art scene through the eyes of TRIGGER producers. Moderated by Tja\u0161a Pureber (Glej Theatre). <\/em><\/span><\/p>\n<p><strong><span>\u00a0<\/span><\/strong><\/p>\n<p><strong><span>20:00-20:45 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/WesZUgAw67ZM8uAA9\">Intimni oder, GT22<\/a>) <\/span><\/p>\n<p><strong>Zala Ana \u0160tiglic, Zoran Petrovi\u010d: <\/strong><span><a href=\"https:\/\/moment.si\/en\/performance\/victoria-2-0\/\"><strong>Victoria 2.0<\/strong><\/a> \/\/ devised performance \/\/ duration: 45 minutes \/\/ production: Moment, co-production: GT22<br \/><em>Winners are confident. Winners are passionate. Winners never quit. Winners have partners. Winners have sex. Winners win. Performance on the boundaries of reality and illusion. <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>21:00-23:00 <\/span><\/strong><span>(location: TBC) <\/span><\/p>\n<p><strong>Let\u2019s talk some more (informally) <\/strong><span>\/\/ official TRIGGER socializing event<\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong>Wednesday, March 30, 2022<\/strong><\/p>\n<p><strong>Ljubljana<\/strong><\/p>\n<p><strong><span>11:00-12:10 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/sFVEtYy37HvnpFfYA\">Ljubljana Puppet Theatre<\/a>) <\/span><\/p>\n<p><strong><span>Nata\u0161a \u017divkovi\u0107, Sara \u0160abec:<\/span><\/strong><span> <a href=\"https:\/\/2021.cityofwomen.org\/en\/content\/everything-alright-1\"><strong>Everything is Alright<\/strong><\/a> \/\/ devised performance \/\/ duration: 70 minutes \/\/ production: City of Women, Ljubljana Puppet Theatre<br \/><em>No education without participation! First hand tales from high school students about the kind of education they want. And deserve. Hey, the kids are alright!<\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>17:00-18.00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power Station<\/a>) <\/span><\/p>\n<p><strong><span>Matija Ferlin:<\/span><\/strong><span> <a href=\"https:\/\/emanat.si\/en\/production\/sad-sam-lucky\/\"><strong>Sad Sam Lucky<\/strong><\/a> \/\/ performance \/\/ duration: 60 minutes \/\/ production: Emanat, co-production: Rencontres chor\u00e9graphiques internationales de Seine-Saint-Denis, Centre National de la Danse, Zagreb dance center<\/span><\/p>\n<p><em><span>Part of a conceptual series Sad Sam. A physical response to the work of the Slovenian avant-garde poet Sre\u010dko Kosovel. Highly physical, turbulent and emotional homage.<\/span><\/em><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>18:30-19:40 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/VPPLRUSpk8ba3tww5\">Kino \u0160i\u0161ka<\/a>) <\/span><\/p>\n<p><strong><span>Irena Toma\u017ein, Jule Flierl: <\/span><\/strong><span><a href=\"https:\/\/www.sploh.si\/en\/performing\/projects\/ufo-flierl-tomazin\"><strong>U.F.O.<\/strong><\/a> \/\/ devised performance \/\/ duration: 70 minutes \/\/ production: <\/span>Irena Z. Toma\u017ein + Jule Flierl<span>, co-production: Zavod Sploh,<\/span> SOPHIENS\u00c6LE, Charleroi Danse Centre chor\u00e9graphique de Wallonie-Bruxelles, PACT Zollverein<span><br \/><em>A homage to Katalin Ladik that blurs the boundaries between poetry, acting and experimental voice work, while continuing the two artists&#8217; own research.<\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>21:00-22:54 <\/span><\/strong><span>(location: TBC) <\/span><\/p>\n<p><strong><span>Matej Kej\u017ear: <\/span><\/strong><span><a href=\"http:\/\/pekinpah.com\/news\/2021\/21\/9\/movements9\"><strong>Movements 9<\/strong><\/a> \/\/ performance \/\/ duration: 114 minutes \/\/ production: Pekinpah, co-production: Matej Kej\u017ear<br \/><em>9 pieces, 9 movements. A \u2018favourite album\u2019 as a choreographic frame where dance resonates between proto-knowing, rhythm, musical force, listening and hearing, narration and abstraction. <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong>Thursday, March 31, 2022<\/strong><br \/><strong>Ljubljana<\/strong><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong>12.00-14:00 <\/strong>(location: <span><a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power Station<\/a>) <\/span><\/p>\n<p><strong>Caspar Nieuwenhuis and Barbara Po\u010dek: Let\u2019s Talk About It: Artists and Their Work <\/strong><span>\/\/ moderated discussion with Q&amp;A about performances from March 29 and March 30 \/\/ duration: 60 minutes \/\/ production: TRIGGER platform, co-production: Centre for Creativity<\/span><\/p>\n<p><em><span>What is the context of the shows you have seen, who are the artists behind them and all the important questions you can think to ask. Face to face with TRIGGER artists. <\/span><\/em><span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span>14:00-16:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power Station<\/a>) <\/span><\/p>\n<p><strong><span>Ur\u0161ka Brodar, Grzegorz Reske: Decolonizing the Aesthetics <\/span><\/strong><span>\/\/ panel discussion \/\/ duration: 120 minutes \/\/ production: TRIGGER platform, co-production: Centre for Creativity<\/span><\/p>\n<p><em>In the past years we are witnessing an increasing importance to speak about our pasts and uncover the effects and biases colonial history has had on our current positions. In this discussion we will try to approach this topic from the point of view of the Eastern vs. Western Europe and the concept of the aesthetic bias and the impact it has on the career of the artists.<\/em><\/p>\n<p><em>At the time, when the European Union is offering enormous amounts of space and funding for international collaborations, Eastern and Western artists are stepping on the same terrain, seemingly equal. The context from which Eastern artists are stepping to that terrain however, is at best recognized with a sort of patronizing orientalism or complete ignorance of the structural conditions in which their art is being created. Those conditions are influencing the produced aesthetics. How do we challenge these processes, positions of privilege, and start decolonizing the Arts in this context as well?<\/em><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong><span>16:00-16:45 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power Station<\/a>) <\/span><\/p>\n<p><strong>Lea Kukovi\u010di\u010d: <\/strong><span><a href=\"https:\/\/www.bunker.si\/en\/performance-auction-house-forsale\/\"><strong>FORSALE<\/strong><\/a> \/\/ lecture performance \/\/ duration: 45 minutes \/\/ production: Bunker, Ljubljana<br \/><em>Auction house for theatre performances. Next step in the history of ownership and the future of the ephemeral economy.<\/em><\/span><\/p>\n<p><strong><em><span>\u00a0<\/span><\/em><\/strong><\/p>\n<p><strong><span>18:00-20:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/BNPN4b8LHpevR72XA\">Glej Theatr<\/a>e) <\/span><\/p>\n<p><strong><span>Mark Po\u017elep, Maxime Berthou: <\/span><\/strong><span><a href=\"https:\/\/www.southwind-project.com\/\"><strong>SOUTHWIND<\/strong><\/a> \/\/ cinematographic essay and artist talk \/\/ duration: 120 minutes \/\/ production of the essay: Forceps media, production of upcoming documentary performance: Glej Theatre and SPRING Festival<br \/><em>Paddle steamer, 1712 miles of the Mississippi River and two artists in the heart of colonial land.<\/em><\/span><em> <span>Practice-based research and performance in the making in co-production with SPRING Festival. <\/span><\/em><span><\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span>21:00-22:45 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/kUUPvvasCTECVDdK8\">Mladinsko Theatre<\/a>) <\/span><\/p>\n<p><strong>\u017diga Divjak: <\/strong><span><a href=\"https:\/\/mladinsko.com\/en\/program\/133\/fever\/\"><strong>Fever<\/strong><\/a> \/\/ devised performance \/\/ duration: 105 minutes \/\/ production: Mladinsko Theatre, steirischer herbst 21<\/span>&#8216; and Maska<br \/><em>Climate crisis, class society and neoliberal capitalism. Is violence the answer? Performance about the limits of one\u2019s own consciousness and historical responsibility to change the world.<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><strong>Friday, April 1, 2022<\/strong><br \/><strong>Ljubljana<\/strong><span><\/span><\/p>\n<p><strong><span>10:00-13:00 <\/span><\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/ykvy8FEjKyovvcEU7\">Art Hotel<\/a> and <a href=\"https:\/\/goo.gl\/maps\/BNPN4b8LHpevR72XA\">Glej Theatre<\/a>) <\/span><\/p>\n<p><strong><span>Meet the artists and producers <\/span><\/strong><span>\/\/ scheduled meetings \/\/ production: TRIGGER platform, co-production: Centre for Creativity<br \/><em>Meet, talk and plot with your favorite artists and their producers and plan to conquer the world together! You can schedule individual meetings or ask us to introduce you to someone who sparked your curiosity or have us curate the meeting for you. Let\u2019s find each other. <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong>19:00-20:00 <\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/XeCfgKSXHjxinj7E9\">Old Power Station<\/a>) <\/span><\/p>\n<p><strong><span>Beton Ltd.:<\/span><\/strong><span> <a href=\"https:\/\/www.bunker.si\/en\/beton-ltd-grosse-erwartungengreat-expectations\/\"><strong>Gro\u00dfe Erwartungen<\/strong><\/a><a href=\"https:\/\/www.bunker.si\/en\/beton-ltd-grosse-erwartungengreat-expectations\/\"><strong> | Great Expectations<\/strong><\/a> \/\/ devised performance \/\/ duration: 60 minutes \/\/ production: Bunker Ljubljana\u00a0 <\/span><\/p>\n<p><em><span>After ecology, transitional\/growing\u2011up loss of illusions, the impotency of resistance, generational angst, time has come for great expectations and the future of those, who have everything. To lose. <\/span><\/em><span>\u00a0<\/span><\/p>\n<p><span>\u00a0<\/span><\/p>\n<p><strong>21:00-22:00 <\/strong><span>(location: <a href=\"https:\/\/goo.gl\/maps\/xPX5b28UyxHypKxS6\">Osmo\/za<\/a>) <\/span><\/p>\n<p><strong><span>Based on the motifs of the drama Life is a dream, Calderon dela Barca: <\/span><\/strong><span><a href=\"https:\/\/www.postgravityart.eu\/dogodki\/2021\/7\/5\/finalizemfonemi-hns46-g699j-d339l-3hejy\"><strong>Finalizem::Fonemi<\/strong><\/a>. <strong>Directed by Dragan \u017divadinov<\/strong> \/\/ theatre production form \/\/ duration: 60 minutes \/\/ production: Delak\u00a0 <br \/><em>Life is a dream. Theatre is a medium of baroque illusion. Hail to the theatre spotlight! <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><strong>22:00-23:00<\/strong> (location: <span><a href=\"https:\/\/goo.gl\/maps\/xPX5b28UyxHypKxS6\">Osmo\/za<\/a>) <\/span><\/p>\n<p><strong>Caspar Nieuwenhuis and Barbara Po\u010dek: Let\u2019s Talk About It: Artists and Their Work <\/strong><span>\/\/ moderated discussion with Q&amp;A about performances from April 1 \/\/ duration: 60 minutes \/\/ production: TRIGGER platform, co-production: Centre for Creativity<br \/><em>What is the context of the shows you have seen, who are the artists behind them and all the important questions you can think to ask. Face to face with TRIGGER artists. <\/em><\/span><\/p>\n<p><em><span>\u00a0<\/span><\/em><\/p>\n<p><em>TRIGGER 2022 is a part of a <\/em><a href=\"https:\/\/czk.si\/novice\/partnerska-mreza-czk-predstavlja-svoje-programe-v-letu-2021\/\"><em>partnership network<\/em><\/a><em> Platform Center for Creativity. Platform Center for Creativity is co-financed by European Union from European Regional Development Fund and by Republic of Slovenia.<\/em><\/p>\n<p>[\/et_pb_text][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_3_text_color=&#8221;#FFFFFF&#8221; header_3_font_size=&#8221;30px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Sreda, 2. junij 2021<\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3>Ljubljana<\/h3>\n<h3><strong><\/strong><\/h3>\n<h3><strong><\/strong><\/h3>\n<p><strong><span><\/span><\/strong><\/p>\n<p><strong><span>12:00-13:30 <\/span><\/strong><span>(lokacija: <a href=\"https:\/\/goo.gl\/maps\/unYMvnLo7eHgnLueA\">Gledali\u0161\u010de Glej<\/a>) <strong>Neja Tom\u0161i\u010d: <\/strong><a href=\"https:\/\/www.glej.si\/opijske-ladje\"><strong>Opijske ladje<\/strong><\/a> \/\/ vizualni esej s \u010dajno ceremonijo \/\/ dol\u017eina: 90 minut \/\/ produkcija: Neja Tom\u0161i\u010d in <a href=\"https:\/\/www.glej.si\/\">Gledali\u0161\u010de Glej<\/a>, koprodukcija: <a href=\"http:\/\/motamuseum.com\/si\/\">MoTa<\/a><\/span><\/p>\n<p><em>Intrigantna pripoved o tihotapcih, kolonializmu in rojstvu kapitalizma na krovu opijskih ladij.<br \/>Izku\u0161nja, po kateri skodelica \u010daja nikoli ve\u010d ne bo enaka. <\/em><\/p>\n<p><em><\/em><\/p>\n<p><strong><span>18:00-19:00 <\/span><\/strong><span>(lokacija: <a href=\"https:\/\/goo.gl\/maps\/unYMvnLo7eHgnLueA\">Gledali\u0161\u010de Glej<\/a>) <strong>En drag ansambel (EDA): Rok Kravanja, Daniel Petkovi\u0107, Urban Belina, Ajda Tomazin:<\/strong> <a href=\"https:\/\/www.glej.si\/jubilej\"><strong>Jubilej<\/strong><\/a> \/\/ avtorska predstava \/\/ dol\u017eina: 50 minut \/\/ produkcija: <a href=\"https:\/\/www.glej.si\/\">Gledali\u0161\u010de Glej<\/a> in <a href=\"https:\/\/moment.si\/en\/\">Moment<\/a> v sodelovanju z Zavodom Odprti predali<\/span><\/p>\n<p><em><span>Ne glede na to, kako zelo se trudijo, nekaterih grehov dr\u017eave ne bodo mogli nikoli sprati. Drzna avantura v rojstvo nacije skozi o\u010di dveh drag performerjev. <strong>\u00a0<\/strong><\/span><\/em><\/p>\n<p><em><span><strong><\/strong><\/span><\/em><\/p>\n<p><strong><span>18:00-00:00 <\/span><\/strong><span>(lokacija: pred <a href=\"https:\/\/goo.gl\/maps\/z6CwNwPVcn5VG6fSA\">\u0160portno dvorano Tabor<\/a>) <strong>Leja Juri\u0161i\u0107, Marko Mandi\u0107:<\/strong> <a href=\"http:\/\/pekinpah.com\/news\/2017\/12\/12\/together\"><strong>Skupaj<\/strong><\/a> \/\/ avtorska predstava \/\/ dol\u017eina: 360 minut \/\/ produkcija: <a href=\"http:\/\/pekinpah.com\/\">Pekinpah<\/a> in <a href=\"https:\/\/www.vntheatre.com\/sl\/\">Via Negativa<\/a>, koprodukcija: <a href=\"https:\/\/www.kinosiska.si\/\">Kino \u0160i\u0161ka<\/a><\/span><\/p>\n<p><em>\u0160est ur. Dva performerja. Stotine situacij onkraj meje mo\u017enega. <\/em><\/p>\n<p><em><\/em><\/p>\n<p><strong>20:00-21:00 <\/strong><span>(lokacija: <a href=\"https:\/\/goo.gl\/maps\/JRqUK6zvht1sm7SG9\">Stara mestna elektrarna<\/a>) <strong>Primo\u017e Bezjak, Branko Jordan, Katarina Stegnar. Beton Ltd.<\/strong> <a href=\"https:\/\/www.bunker.si\/beton-ltd-grosse-erwartungenvelika-pricakovanja\/\"><strong>Grosse Erwartungen I Velika pri\u010dakovanja<\/strong><\/a> \/\/ avtorska predstava \/\/ dol\u017eina: 60 minut \/\/ produkcija: <a href=\"https:\/\/www.bunker.si\/en\/home-page-bunker-old-power-station\/\">Bunker Ljubljana<\/a>\u00a0 <\/span><\/p>\n<p><em><span>Po ekologiji, tranzicijsko \u2013 odra\u0161\u010danjskem izgubljanju iluzij, nemo\u010di upora, generacijskem angstu \u2026 se tokrat lotevajo velikih pri\u010dakovanj ter prihodnosti, tistih, ki imajo vse. Za izgubiti.<\/span><\/em><\/p>\n<p><em><span><\/span><\/em><\/p>\n<p><em><span><\/span><\/em><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/moment.si\/wp-content\/uploads\/2022\/02\/TRIGGER-22_FB-cover-1920x1080_OK6.png&#8221; alt=&#8221;Trigger 2021 logotipi&#8221; title_text=&#8221;TRIGGER 22_FB cover 1920x1080_OK6&#8243; show_in_lightbox=&#8221;on&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;60px||60px||true|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_image src=&#8221;https:\/\/moment.si\/wp-content\/uploads\/2021\/05\/tloris.png&#8221; title_text=&#8221;tloris&#8221; show_in_lightbox=&#8221;on&#8221; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;60px||60px||true|false&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.15&#8243; _module_preset=&#8221;default&#8221; text_text_color=&#8221;#ffffff&#8221; text_font_size=&#8221;19px&#8221; text_line_height=&#8221;32px&#8221; link_font=&#8221;||||on||||&#8221; link_text_color=&#8221;#FFFFFF&#8221; ul_font_size=&#8221;19px&#8221; ul_line_height=&#8221;32px&#8221; header_4_text_color=&#8221;#FFFFFF&#8221; header_4_font_size=&#8221;40px&#8221; header_4_line_height=&#8221;80px&#8221; width=&#8221;60%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;940px&#8221; module_alignment=&#8221;center&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4>Ve\u010d info<\/h4>\n<p>Andrej Firm \/\/ <a href=\"mailto:tehnika@moment.si\">tehnika@moment.si<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>TRIGGER 2022: Announcing the artists and opening applications<\/p>\n","protected":false},"author":1,"featured_media":4912,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"tags":[],"class_list":["post-3844","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/pages\/3844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/comments?post=3844"}],"version-history":[{"count":0,"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/pages\/3844\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/media\/4912"}],"wp:attachment":[{"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/media?parent=3844"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/demo.moment.si\/en\/wp-json\/wp\/v2\/tags?post=3844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}